fine art connoisseur 2018
May / June 2018

Fine Art Connoisseur
"Betsy Ashton: Portraying Immigrants' Stories"

May, 2018

"Portraits of Immigrants"
Thirteen / WNET-TV news video

Jun 2016

Ashton's portrait in a very prominent spot at the U.S. Embassy in London.

Nov 2014

Unveiling the portrait of Ambassador Lader, at the U.S. Embassy in London. Click image to see photos.

Sep 2014

Photographer Peter Krogh captured this scene in my studio in September, when a PBS video crew led by director Jon Hornbacher, seen here behind the cameraman, followed me around for two days. They were shooting a 60-second spot that will soon air on PBS stations nationwide. I have supported public television actively for many years. As a TV news reporter-turned-artist, I can speak with authority about the high quality of journalism and excellent coverage of the arts that PBS continually delivers. —Betsy Ashton

Mar 2013

Betsy was prominently featured in the March 2013 issue of Sirulian News, published by Sirulians, Inc., an organization of veteran journalists.

2012

In 2012, Betsy Ashton was commissioned to paint the official portrait of Philip Lader, former U.S. Ambassador to the Court of Saint James's, for the collection of the United States Embassy in Grosvenor Square, London.

Nov 10, 2011

Times Ledger, Queens, New York
"A Portraitist Behind the Lens"

Aug 2011

American Artist Studios
"Create a Space That You Won't Want to Leave"

Richard Mazda

Richard Mazda

Actor from England
Oil on canvas 40” x 30”

Yes, we still allow Brits into this country and Richard Mazda is one of them. His acting career was taking off in England — in a Harry Potter movie and a hugely successful soap opera — when his second wife was offered a chance to open a store in New York City for a fashionable British firm. “A great opportunity,” he told her, and they tried to conduct a very long-distance marriage. Then his teen-aged daughter from his prior marriage achieved her “golden ticket” of acceptance in the Brit School for the Performing Arts and someone from her family “rang the school and caused them to rescind her place.” A family crisis ensued. Richard called New York to beg the Frank Sinatra School of the Arts to let his daughter audition — and she “aced it.” So Richard, who “always appreciated the American ‘can-do’ attitude” gave up his career and a successful side business in London to move to New York. Without a local agent he worked as a temp, installed roller blinds — did anything to make ends meet — until he founded (and still runs) the 99-seat Secret Theater in Long Island City.

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